The level 2 fence is the middleman between boosters and wholesalers. Some may rent several storage units and spread their product between them to minimize their losses if they do happen to be raided by law enforcement. Storage units are appealing because they can be rented cheaply and easily, making it simple to evade detection by switching locations frequently. They typically operate out of a residential house, a warehouse, or a storage unit. Then they repackage the product for distribution. Level 2 fences clean the product, removing stickers, security devices, or other markings that could identify which retailer the product had been stolen from. They buy from level 2 and 3 boosters, or in some cases from level 1 fences. The primary function of the level 2 fence is to repackage stolen product and sell it to the level 3 fence-the diverter. While most of the product a level 1 fence buys goes straight back to the consumer, they may move product daily or weekly to a higher-level, or level 2 fence. They sometimes recruit and train boosters, and they may buy product from level 1, 2, or 3 boosters. They often appear to be legitimate businesses-they might be a local corner market, a swap shop, or a booth at a flea market. The level 1 fence is directly reselling product to consumers. In comparison, the level 3 booster is a team of coordinated criminals who operate nationally and may sell their product directly to diverters. When a booster begins to travel to nearby cities to steal, when they increase their sophistication and volume, often teaming up with a partner or a group, they can be considered level 2 boosters-regional players. It’s not uncommon for drug addicts to fall into this category, stealing just enough for them to get by for the day. They might steal things from their neighborhood CVS and walk right across the street to Mom and Pop’s Market to sell them. If they live in Phoenix, they might never leave Phoenix to steal. The level 1 booster is someone who steals relatively small amounts, works alone, and operates locally. So for ease of discussion, they can be categorized into a hierarchy of three tiers. As these actors deal with increasing volumes of stolen goods, the geographic area in which they operate tends to increase, as does the sophistication of their organized retail crime methods. Boosters-the people who steal products intending to resell them-and fences-the buyers of stolen goods-vary enormously when it comes to the scale of their operations. The easiest way to understand exactly what diverters are and how they operate is to take a close look at the ORC ecosystem that they’re a part of. Organized Retail Crime Methods: The Booster-Fence Ecosystem
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I just tried the new public Beta version of X-Transformer and I agree that the introduction of the plug-in capability does indeed improve the compatibility with Lightroom. When I first tried the Iridient X-Transformer product, back in March, I found it interesting but a bit awkward to use. I stopped doing that a while back, partly because I found the workflow tedious and partly because I felt I was finally getting acceptable results with Lightroom alone. There was a time when I was routinely running all my Fuji-X raws through Iridient Developer because I couldn't get the fine detail I thought the files should have been able to deliver with Lightroom. For now the "Adobe Standard" camera profile remains the default. Lightroom also insists on defaulting to its own "Adobe Standard" camera profile regardless of what's embedded in the DNG so use of this profile in Lightroom requires manually selecting it after opening into Lightroom. However, due to inherent differences in the default profile formats used (ICC versus Adobe DCP) the match will not be exact. This "Iridient Standard" camera profile should be a slightly better match to the default camera profile used by Iridient Developer. This option currently is not turned on by default and can be found on the "DNG Options" panel.ģ) The camera's star rating values are now translated into standard XMP metadata fields such that they will be loaded by Lightroom/ACR/Bridge and other programs that support standard star rating metadata.Ĥ) There is now an option to embed an Iridient specific camera profile into the DNG. This feature is specific currently to Lightroom/ACR only and will not translate the film styles over to other RAW processors. To install the plug-in choose "Install Lightroom Plug-in" from the Help menu in Iridient X-Transformer.Ģ) The in-camera Fujifilm film style presets can now automatically be translated into Lightroom adjustment metadata such that the film style chosen in camera is also the initial Camera Profile selected when the DNG is opened into Lightroom/ACR. This plug-in also provides a quick and easy option to launch X-Transformer and bring it to front for settings adjustments prior to processing images. The plug-in requires no additional Preferences setup and avoids some of the limitations and unnecessary intermediate image processing applied by Lightroom when using "Edit In". New feature highlights include:ġ) An all new Lightroom scripting plug-in which for most users will likely be the preferred way of transferring images from Lightroom to X-Transformer and back as quickly and efficiently as possible. This release includes bug fixes, performance improvements and several new features. (E.g., even though they are demosaiced "linear DNGs," they are still scene-referred.) I think that's what I'm getting with the X-Transformer product, but I need to do more testing.įrom Brian's email on the new version of X-Transformer: The ideal output file from my perspective would be similar to the DNGs that Lightroom's Photo Merge tools emit: for many purposes, including color balance, you can treat them as raw files. I like the way the Iridient pipeline handles fine detail, but other than that I prefer to use Lightroom's controls. The tricky part of using any third-party raw conversion tool as part of a Lightroom workflow, it seems to me, is deciding how to strike a balance between using the external product's processing capabilities and Lightroom's. But as far as I can determine, after admittedly limited testing, the demosaiced file is basically what you would expect. I've found what I believe to be a minor bug (visually annoying but not functionally pathological) in the entries that are inserted into the develop history by X-Transformer when it is invoked from Lightroom, and reported it today to Brian Griffith, the author of the Iridient software. Isn't this essentially the same as what you need to do whenever you configure any third-party application to work as a Lightroom external editor? It looked that way to me. The Riser - Synth-based Transition Designer.Transfuser - Melodic & Rhythmic Groove-Creator. Vacuum Pro - Polyphonic Tube Synthesizer.US $49 - AIR Instrument Expansion Pack 3 Complete (Upgrade version)ġ1 Virtual Instruments, 28 Plugins, and 8 Preset Packs If you own a previous version of the AIR Instrument Expansion Pack, the AIEP 3 SELECT or a single AIR Music Technology instrument you can upgrade for less. 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